Story Telling VS. Writing A Story –
Part 2: Writing a Story
I started
writing because I thought… No! I knew that I could write a better
book than a science fiction book I read in the summer of 1979.
My wife
nodded encouragingly.
I signed
up for and completed a correspondence course on writing. They would send a
prompt. I would do the required reading from their materials, complete the
prompt, and send it back. My editor would read and critique the piece—writing
his comments on the manuscript. Then he would send that piece back with the
next prompt.
I learned
many important lessons. Probably the most important was to write short
sentences whenever possible. I think I’m still pretty good at that.
I wrote at least 40 short
stories—mostly science fiction, but some humorous pieces and a few detective
stories—between 1980 and when I retired from high school teaching in 2012. One
of those stories, Fair Game won two
different competitions. Many, many of my students read my stories and enjoyed
them. No. I did not reward those who read or punish those to did not read the
stories.
I submitted three stories to
publishers. All were rejected. A reviewer hammered one. The publisher
apologized for the tone of that review in a separate note, saying the review
was too harsh—but the story was still rejected.
I continue to write. I have
learned three key lessons about story writing that make writing different than
telling.
First.
You need to tell the reader what your characters are thinking. You should know
what each of your characters is thinking when you write down what they do or
say. But, if you assume your readers are content with unadorned prose, you are
wrong.
Readers want to know why
characters do things. They only way
they can know is for the author to tell them. This is not a place to be subtle.
Make the motivation clear.
Second.
Describe the settings in enough detail that the reader can form a mental
picture that aligns with yours. If that is not the case, many readers will
either stop reading or not read any other books you’ve written because they
were lost in a world they did not understand.
There is a danger here in over
describing. But, if you start with an expansive description, you can easily
reduce the amount of detail where your beta readers indicate the manuscript
became tedious.
Third.
Don’t keep secrets when you write. Giving away the twist, or O’Henry ending to
your novel is not the intent. But, if you know
that one of your characters knows
something important to moving the plot forward or is the reason for a specific
action the part of that character, don’t leave the reader wondering whether
psychic powers are involved.
Two weeks from today, I’ll show
you what a difference writing a story like a writer vs. telling a story in
writing can make. I’ll be using a specific example from my next novel: The 5th Page.
Next
blog: Story Telling
VS. Writing A Story – Part 3: Similarities and Differences
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